Showing posts with label Laura Shovan - ekphrasis poems. Show all posts
Showing posts with label Laura Shovan - ekphrasis poems. Show all posts

Thursday, May 10, 2018

The Personal Response to Art - "World Make Way"

          Poetry Friday is flashing today at Jama's Alphabet Soup with the birdbird of happiness, Jama Rattigan! Thanks, Jama, for helping our appetites grow for tasty food and beautiful art, fabulous books and the sweetest of animals. 

         Though I haven't written many ekphrastic poems, I do love what others do when writing about the art they are viewing, art that they love. Diane Mayr at Random Noodling wrote cheritas to art by women artists this past April, Irene Latham at Live Your Poem wrote  to art from the Harlem Renaissance and often poets share some new poem they've written or discovered about a piece of art for Poetry Friday. This year, for Laura Shovan's birthday month, a large group signed up to share a piece of art they own for all of us in the group to respond to. You can read about her plan here. I posted a few of the poems I wrote here. It was special to read the depth of the poems written and the varied responses to each piece of art. After all, this was a daily exercise, not easy to write beautiful words so quickly! Here is the piece I shared and the intro to it: This is a pencil drawing from one of my grandfathers who went to art school briefly before having to return to the family farm while his brother served in WWI. He said this was by one of his teachers. Over 25 wrote a poem response. 

          I tried a prose poem to this, my own response!  
Long Ago Life

       When I was young, after World War II, I lived with my maternal grandparents. We had flush toilets then, but others did not, nor running water. The war meant sacrifices of more than people. Grandma had tho
se luxuries but washed the clothes in big tubs. Grandpa dumped the wash water on his garden, nothing wasted. I remember handing her clothespins as she hung the clothes on the line. My uncles came home from the war, midst celebration for them, grief for my father, who did not. They held a party with distant family finding enough gas to make the journey to welcome them home. People hugged me and my uncles a lot, ate, laughed, and cried. The first thing one uncle did was borrow Grandpa’s truck and take it to the nearby bigger town, brought back a wringer washer for Grandma. She sat down on the sofa and cried and cried. I didn’t understand. It seemed like a wonderful thing to me.


Friday, March 2, 2018

Poetry Together

             Renée LaTulippe at No Water River hosts Poetry Friday today with a wonderful sharing about Michelle Heidenrich Barnes, her "brain children", Today's Little Ditty anthologies and two lovely poems. Thanks, Renée!


          I hope it's time for this picture! Spring is only a few weeks away!

           It's been a joy to travel the moods of February with all the poets writing, writing and writing each day for Laura Shovan's 6th Annual Daily Poem Project, this year it was an ekphrasis challenge. Each poet who signed to join the group also chose one day on which to share a personal piece of art.  From postcards to Pantone color names, from sounds to found objects, every year, the challenge is a new way to find/discover/write poems. The sometimes intimidating factors of, yet most often the wonder of Laura's project is to read and love and learn from all the other poets. If you want to know more, go here to Laura's post about how it works. Thanks to Laura and Kip Rechea, her friend, who help manage everything.
          We did seven days of warm-up. I missed one. Then, while we were still "meeting" others, and greeting those we'd written with before, February began. Altogether, I've written thirty-four poems. And, there is an 'afterword' for those who wish to continue writing together. I wrote fast some days, eked out words I might forget on other days. But sometimes a piece of art connected, and sometimes that piece of art surprised me that it connected. But also, whether anyone else liked what I wrote, I did. The lesson has been learned before, and now again, words by Cyril Connolly: "Better to write for yourself and have no public than write for the public and have no self." 

            Here are three favorites, both in the writing and how they turned out. Sometimes that's a surprise, too! One I added the poem to the picture, but the others don't work so well, too many words to fit! 


The Yearning - from fabric art by Jessica Bigi

Shadowed and alone in the forest,
a unicorn watched, 
saw the shepherdess’ fuss over her flock
and decided she wanted it, too.
She stepped out to join the story.

Linda Baie